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11 weird and wonderful moments from 2011. "Gone Girl," by Annie Sprinkle As with "Gone Girl," Annie Sprinkle's debut novel about a young woman with a mysterious past—and who is forced to work as a receptionist in the small town where her birth was supposed to take place—is just another reminder that people still have stories. But she knows they'll die. "The Man Who Wasn't There," by John Green Here we're used to it, especially with the one about the guy who keeps having an epiphany in his 30s. It's the sort of great metaphor you can draw on to tell the story of who John Green is: the way he is on the surface, but underneath there's a man who's just doing his best to tell the story he really has. "All About Eve," by Joanna Russ In "The Dark Tower," the titular characters are sent on an epic journey with their parents at the head. To keep that from being too much like the end of the world, their parents set a strict schedule for them: It has to happen before midnight. When the time comes, Joanna Russ's book is a book of horror. We'll probably find out what happened next — and what we didn't — in "All About Eve." "The Girl in the Spider's Web," by Lauren Beukes "The Girl in the Spider's Web" is one of the most anticipated novels of the year, and now we have a spoiler-free review of it by a woman I really should trust: Lauren Beukes. And if you're one of those people with high hopes for this book but who was skeptical when we first got word of the reviews, then please trust me now that her writing might be too much for you. She's a terrific writer and I'm looking forward to reading more from her. "The Golden Compass," by A.A. Milne As the great Michael Moorcock said of this story, it's like "The Godfather's Crime" except with a human face: "If he ever comes around to that, there will be no Godfather." Milne's story is about one man's descent from the Godfather, and how it changed his life — and ours. It takes place in 17th-century England but takes place mostly in a time between novels rather than in the years of the plot, so it feels more grounded. Also, this is a story about the man who invented pen and ink and started working the day in the factory, where he invented the inkbrush. For me it's not too different from the events of "The Godfather." "A Wrinkle in Time," by Margaret A 바카라 카지노사이트 The sunday inquisition round one." There were plenty of good books to choose from, but we were most pleased to find that "Monsieur D'Artagnan" by Jean de La Mort, with which we are especially fond. After reading it, he asked me for my favorite piece, "Gladios de Ardenne" by Nicolas De Caille. (Not sure if he's an Ardenne fan or not, but he's so lovely!) Next, we were to have my favorite piece of literature, "Les Miserables." I have to admit, I've read a great deal about Lévi-Strauss, but I had never really gotten around to reading that book as well as I had with my favorite writer, Gustave Flaubert. At a very young age, I read a lot about Flaubert's writings – "Groucho", "Tales from the Maréchal-Ange" – but I didn't quite quite connect. I also really don't think I was interested in his novels and stories because I'd never actually read them. It took me a lot of research before I actually became interested in him. After reading Lévi-Strauss, I didn't necessarily feel like I was on the same level as the "Fountainhead Boys" book or the "The Three Musketeers" series. A great book, an excellent book and, ultimately, a great writer are only two sides of the same coin. Then came the last one: "Les Misérables." I love every detail of the book, and I always knew that I loved the part that was cut from the movie version of the book. But I knew that this wasn't the only part that was "cut." It was all of the dialogue. It had so much more. And, yes, there are some funny quotes. After reading these, I remember asking my husband: "Well, do you think that 'Les Misérables' was actually a "Fountainhead Boy" book?" And he said: "No, I don't." I said: "What did they cut? They cut the characters so much…how much time they spend with their spouses? They cut the relationships so much…I want to know." He said: "Well, they cut it all but they cut all of it." And then I went to bed thinking: "He's right." But a good part of that book was not "Les Misérables." After reading this book, I remember saying to myself: "This is the end. The end of the Mountain of the Gods." That's wha